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Elise Valenti authored
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vignette-1
# Vignette 1

The sunlight slips through the curtains, wrapping me up in cozy warmth. I move slowly move one of my eyelids, but it seems too heavy. I decide to stay here a bit longer, but the noise that comes from the kitchen won’t let me enjoy the peace of sleeping.

In some weeks the harvest time will come. I love the aroma and the sight of our blossoming olive trees so beautiful and peaceful. This year we couldn’t hire many men to do the collection of fruits but my father believes we will be able to do it. My mother and I will have to check that the leaves are removed and the olives are properly washed to take them to the trapetum. She always advises me to be sure that additional oil is kept to go to the temple. I can’t tell her I lost my lunula, the amulet given for my protection! My mother will be furious if I tell her I've lost it. It's my only protection from evil forces, like demons and, worst of all, the evil eye. But I'm sure I'll find it before too long, and my mother will never need to know it's lost.

The noise from the kitchen doesn't get any quieter, and I can still hear it no matter how much I try to cover my ears, so I sit up, resigning myself to the fact that I'll actually have to get up. Covering a yawn with my hand, I pad out of the room, heading towards the kitchen where I know the others will be. I adjust the neckline of my tunic as I go, hoping to hide the fact that my lunula isn't hanging around my neck.

As I enter the kitchen, I feel the earth below me tremor. My heart drops and the first thought that comes to my mind is that this is an effect of loosing my lunula. I shake my head and realize that I'm being paranoid. After all, Pompeii is known for it's tremors. This wais normal.

Looking around, I notice that there are extra members in the kitchen today. This explains the unusual amount of noise.
"Hi uncle Alanzo, aunt Livia!" I acknowledge them and take my seat at the table where fresh cheese and hot bread are presented to me by my nonna and I look at her gratefully. This is not a regular breakfast.

I look at them, my dear ones, and I'm grateful to be here in this wonderful place surrounded by love. I look at my mother and she looks back at me...something is wrong. Her look is swamped in sadness. I have never seen those remorseful eyes before. I try to ask her what is this all about but before I can say anything she tells me: "My pretty little girl, it's your birthday...your last birthday here...please try to understand us". She starts crying while everyone's faces turn white, red and then white again.

My slice of bread and cheese stills halfway to mouth as my head shoots up. There are few possibilities: it is my fourteenth birthday, and many girls are betrothed and married by fifteen!

"But I've barely started weaving my _tunica recta_" I stutter. Aunt Livia knows how much trouble I'm having with that blasted loom.

"Sweetheart -" Papa begins, as my beloved Mama turns into his arms and starts to weep.

The words are cut off as another tremor rumbles through the house, far stronger than the first. My uncle and I dive under the table, Mama and Aunt Livia clutch the solid outer doorframe, and Papa races to protected the _lares familiares_, the small statues representing the gods who care for our household, while plaster rains down from the walls on all sides. My hand automatically reaches for my _lunula_ - it isn't there, of course, but Uncle Alanzo holds me close while gripping the dancing table with his other hand.

We stumble outside as soon as we dare, still wobbly and choking on the dust, each one of us staring toward the apparently placid Mons Vesuvius. It is the feast of Vulcanalia as well as my birthday - what could this mean?

My little brother Claudius must have seen me reaching for my lunula by reflex.
”You lost your lunula! This is your fault!” he says with a look that makes me realize he probably knows where it is - why else would he say I've lost it? Wouldn’t he have said I'm not wearing it?
Everyone turns and looks at me. ”Ah, um, It’s not …” I stammer. I turn to my little brother. “What did you do with it?” I yell at him. “Give it back before something else happens!”
“Claudius,” my mama says, “Do you have your sister’s lunula? You know how important it is; give it back to her.”

"N-No, mother, I... I don't have it!" And then Claudius starts to run out of the house, thus proving my hunch that he has something to do with the loss of my lunula. Everyone else calls out his name, but to no avail - he's gone like a wild horse. So, I decide to chase after him, but not after another tremor hits the ground, causing me to lose my balance and stumble to the floor.
I'm now in the main road, shouting out Claudius's name, but it's all hopeless - he has probably hidden himself well somewhere in Pompeii. As I continue my search, the unexpected suddenly happens -: the great Mount Vesuvius spews out a dark tower of black clouds from it's peak. The tremors intensify; pots fall down from everywhere; stalls suddenly collapse without warning; people are panicking and running around in circles. What if the loss of my lunula is connected to this very, very, very bad omen?

I shake off the thought and sprint down the road. Lamenting at my missing lunula will not get it back. I must find Claudius - he knows where it is. I hear my mother calling my name from afar, but I keep running. Must find Claudius. Must find Claudius. What if something happens to him? What if something has already happened to him? What if he is hurt?

I run faster still.

I try to remember where he usually hides with his friends. Outside the bathhouse where they like to hear the echo of their voices as they sing, or by the market where they usually like to toss rocks at the goats and see them buck in the enclosures. The Mmarket is closests, and I run in that direction as fast as I can. People are already outside now looking over at the Mons Vesuvius. The sky is starting to darken, and more people are coming out into the street to look at the dark cloud that is rising.

I don't stop to look, I only find that my legs carry me faster towards the Mmarket. The road now is starting to fill with the chatter of people as they start to talk and some are now praying. "Claudius!" I start screaming at the top of my lungs. I no longer care about the Llunula and I find that tears are now running down my cheeks.

I'm no longer sure if I am crying because Claudius is missing or because my father just told me I was being betrothed. All I want to do now is find my little brother and hug him. Hold him tight and take him back home. I can't find him I can't see him, and more tears rush down my face. "Claudius!" I scream once again as the animals in the market start to look of fearful. Their eyes wide, the goats pulling on their leashes. The horses are now restless as their owners start to lash them to keep still.

The sound of birds now flocking as the ground shakes again scares me. There have been tremors as long as I can remember but never this long. I feel the ground now shift below my feet and I fall, my hands hit the dirt next to the enclosures. I feel as my knees scrape and my tunica is now soiled with straw and mud. I sit up on the floor. L, looking around as people start to pack up their stores and belongings.

Cyprian, one of the hands that works for my father during the harvest, sees me as I fall and comes rushing over to me. "Little bird, be careful," he cries out as he leaves the fence he was mending to come byto my side, leaning down and lifting me back to my feet.

I try to clean my tunic but my hands are so dirty they only smudge the dirt more. Cyprian takes some water from his goat skin and pours it over my hands as he helps me clean them. The dirt is washed off as well as some of my blood. "Cyprian, have you seen Claudius, he ran off and I need to find him."

"Ah yes, I'd just saw him running in that direction." He points in the direction that is further into the market. "But why? Why is he running away from you?"

"It's hard to explain, Cyprian. But I have reasons to believe that Claudius had makde off with my lunula."

A rush of cold water pours over my hands as Cyprian drops his goat skin. He has turned pale. "This is a bad omen, it's evil. It certainly is."

"I can't afford to lose him, Cyprian, not now. My family cannot lose him now. My family... I... Wwe just can't..." I started to sob. Cyprian stoodands still, very close to me, but seems not sure what to do to console his master's beloved daughter. Finally he sigheds and whispereds, "Listen, precious, why don't we just pray to the gods? They must be able to bring Claudius back, not just alive, but safe. Come on, here's my bulla. Let's hold the bulla and join hands as we send our humble request to the powerful gods of our ancestors. May they grant him safety and guidance..."

I triedy to stop crying, but couldan't. And even as I nodded to Cyprian and we joined my our hands to pray, I feelt the dread rising in my heart. The tremors below my feet seemed to be getting stronger and stronger. I triedy to concentrate on my prayers. B, but couldan't. My eyes just wandered around, trying to spot my brother. But instead of him, they sawee shock and terror, on every face. And then I noticed, it waisn't just me who was crying there's crying.

"Cyprian... ," my voice sounds weak and pathetic even to my own ears. He looks up; his eyes catch mine and I glimpse his panic before he looks beyond me. An old man is moaning, knees in the dirt, hands on his head... lamenting. Two young women I recognize are holding hands and walking by so fast that they need to hold their skirts up. A darker fear grips me as it becomes clear that something far greater is happening here than a regular tremor and my runaway brother
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**Vignette 1: Write from the perspective of a peasant citizen of Pompeii living his or her regular life leading up to the eruption, and then witnessing the eruption first hand. (We will submit this vignette as our official Guinness World Record attempt, so please make sure you contribute to the story!)**
vignette-19
# Vignette 19

**Vignette 19: Write from the perspective of a farmer tending his or her crops or herd near the base of the volcano. What signs does this person see before the eruption? Is he or she used to this volcanic activity or does it seem different this time? This vignette should take place before and possibly during the eruption.**



Vignette 19

It is already past three in the afternoon and the people are beginning to stir after their afternoon rest. A cart drawn by two tired looking mules approaches the Central Baths on Via di Nola through the Nola Gate. A few shop fronts still have their awnings down against the glare of the afternoon sun dipping on the western horizon. The entrance to the baths is brightly lit and the yellow and blue frescos on the walls facing the street, dance in the light. The walls of the houses facing the street are windowless and this practice lends a sense of protection and security to those within the walls. Usually, it is quiet enough at this time of day for one to discern the sound of the many household water fountains, but today it is eerily silent.

“Where are the people? Wake up and drink your fill at the fountain of this blessed wine. You will find no better. Neither here, nor anywhere else in the Empire! Come, Christians and citizens of Pompeii alike.”

“What fountain are you talking about? The fountains have dried up overnight. What do you know about it?” An old woman shuffles along after sweeping in front of her door. ‘Mad Christians! They are everywhere now-a-days and have pinched the ritual of Bacchus and claim it as their own.’ She aims a swiping blow with her broom at the legs of the offending mules and they skid on the cobblestones.

“Woah! I come in peace, Old Woman.” The mules are steadied and the wagon comes to a stop at the door of the baths.

“You are too early for the cliental at the baths. They will not arrive before the business of the day has been concluded. Come back just before sunset.” The gentleman addressing the driver of the cart holds the reigns of the mules firmly in his tanned hand. “Why don’t you take your cart to the Via Consolare. It will be safe to leave it there. You may visit one of the temples or if you please, one of the many places serving refreshments. This ash that Mount Vesuvius has been sprouting the past few hours has left me parched and I am keen to wash the dust off me. I hope it stops soon as I have a business to attend to and everyone seems to be on edge today, for whatever reason I do not know. Even my dog is hiding under the stairs and would not come out with me this afternoon, as is his habit. ”

“I came to do business, Sir, and I am in a hurry to settle the business before dark. Others might wait till the people are sated with food and drink to negotiate business deals, but that is not my way. I do more business in one day than some merchants do in a week.”

“Only ill can come of driving a business deal without regard for the comforts of the client. Hungry people do not fare well when confronted with figures and decisions.”

“To the contrary, Sir. I am sure that the prospective clients are all well fed and rested, if not in their beds, at least in the arms of their mistress.” With a wink, the reigns are expertly whipped out of the restraining hands and the driver swings from the seat.

After much heckling by those present, Euseno got the merchant to divulge that the secret to the best full bodied white wines there are to be found in the region, and indeed, the whole of the Empire, is the tried and tested method of the grapes being stomped by the feet of maidens, instead of using winepresses. Served with the usual carafe of water fresh from the spring fountain, it makes for an excellent thirst quencher; a very welcome libation during the many hot days still being experienced during the month of August. The merchant only has one wagon left of amphorae of wine and wants to sell them to the highest bidder before sunset. Someone enquires who his master is and where the vineyard is that he is speaking so highly of as they all know one another and every inch of the Pompeii viticulture region.

“Didn’t I see you yesterday at Herculaneum? You were selling wine outside the Forum where Emperor Titus was being received. You then also said that you only had this one consignment left to sell ...”

“No. It could not have been me ...”

Before the driver can stop him, Euseno is on the wagon and lifts the tarpaulin covering the cargo. “Here!” he says in triumph. “It is the same seal that was on the flagons being sold at Herculaneum: ‘Vesuvinum.’ You still assured me that it was from a private winery just outside Pompeii, on the lower western slopes of Mount Vesuvius. Hence, the name: Vesuvius and vinum* combined! I thought it was a silly name and it stuck in my mind and it had a kick like a mule. It did not agree with my stomach and I prayed to the goddess Caca all night!”

“You are mistaken, sir. I have never seen you before.”

“Are you calling me a liar?” Turning to the ever growing crowd, Euseno throws his arms wide in a gesture of including everyone in this conversation. “Have I ever knowingly lied to anyone, especially to someone belonging to the honourable and ancient guild of winemakers?”

“Yes, you have.” And a few others in the crowd join in with this confirmation of his guilt.
“You sell water only flavoured with wine at your tavern and the women are, therefore, not as comely at your caupona as at other establishments.”

Ribald after ribald remark beset the innkeeper and he beats a hasty retreat before the crowd can accuse him of more serious crimes against his patrons.

“Tell us a bit more about this blessed wine of yours? If it kicks like a mule as Euseno attested, then I would buy the whole consignment from you.”

“Thank you, Sir ...”

“I am Gaius et Quintus and I deal on behalf of my master, Quintus Poppeus.”

“Well, Gaius et Quintus, I will be happy to give you a taste of the wine before you buy. As luck would have it, I have a wineskin of wine right here with me. Now all we need is to find a goblet and I will pour you a fair measure for you to appreciate.” With a smile, the stranger produces the wineskin straining at the seams and awaits the inevitable clamour for a sample of the wine. Soon there is many a wine cup extended by the onlookers, eager to avail themselves of the offer of free wine.

“And might I enquire as to your name, Sir?” says Gaius et Quintus as he wipes the tears from his eyes at the strength of the very agreeable wine.

“I am Flavia Lucia Augusta, but you may call me Flavia Augusta.” Lucia waits for the usual reaction of astonishment from the crowd.

“But, you are a woman!”

“That I am indeed,” says Lucia and drapes the toga she has been wearing in a tighter flourish over her shoulder.

“And you are wearing a toga ...” The people drop their eyes, each with their own thought.

“Yes, astute Sir. It was cold this morning on the road and, therefore, I took my late husband’s toga to keep me warm. I did not think that the citizens of Pompeii would mind the error in dress code as all can see that I am a wine merchant and not a prostibulae as my hair is not dyed yellow, red, or blue.” It took the crowd a while to join Lucia in laughter and some good natured banter is exchanged.

“Does that mean that we can get the wine at half price? You do not have a guild to pay dues to,” asks a cheeky fellow at the back of the crowd.

Lucia looks expectantly at Gaius et Quintus. “It seems to me that you have already drummed up a demand for this wine and it would be prudent of me to make you an offer. Shall we retire to the taverna across the road were we can continue to discuss our business?” He does not wait for Lucia’s answer as he deftly weaves his way through the people, accidently spilling some of their wine still undrunk in their cups.

“Tell me, Flavia Augusta: why are you in such a hurry to sell what by all accounts seems to be the best wine you have produced in years?” Gaius leads the way into the dimly lit taverna and indicates to the young woman behind the counter that he wants two goblets and a carafe of water.

“Well, Gaius, where do I begin? Yes, it is the best wines I have produced in years. Last year’s crop was the highest yield I have had since my late husband and I have planted the vineyard at the base of the mountain. Yesterday, during the festival of Volcanalia, my sister, who serves at the temple at Herculaneum, told me she had a dream that my wines will be served to kings thousands of years from now. I did not know what to make of it and thought that she meant the new religion of Jesus of Nazareth which I have embraced, would flourish.”

Gaius bursts out laughing and reaches for the wineskin that Lucia had placed on the table between them. “Mark my words, that cult is just another fancy that will soon blow over. But that doesn’t answer my question. Why are you in such a hurry to sell your stock? If you would be prepared to wait for a year or two, then the wine would be even better in quality.”

“I woke up yesterday morning to a noise in my cellar. Some of the amphorae had burst open and the wine had spilled out on the floor. It was extremely hot in there. I do not understand why this is so. I decided to bring the wine to town and to sell it off as soon as I can, before losing everything. Since my husband died last year soon after the harvest was in, the hard work of pruning and tending the vines has left me exhausted. I intend to leave for Cape Misenum tomorrow morning. I have friends there and it is not as crowded as Pompeii. One cannot move in this town during the summer months. All of Rome seems to take their vacation here during the hot month of August.”

“Yes, it can get pretty crowded here during August. It will be cooler across the Bay of Naples. You will like it there.”

“Well, could you make me a fair offer for the wine, Gaius? I must get back to my house and prepare the evening meal. I have left my slave, Jucista, in charge of the kitchen.”

“I need to confirm the price with Quintus Poppeus as we would need storage place for the wine. I still think that it would improve with age. Why don’t you return to your home and come and see me this evening? I will have an answer for you. Here are a few gold pieces as payment in good faith. Then you can stay overnight in town and make arrangements early next morning for your passage to Cape Misenum.”

“I would rather not travel at night. May we agree to meet here tomorrow morning after you had your breakfast? It will give me time to make arrangements at my house for the tending of the vineyard and the household chores, before my departure. I am already packed and am keen to get away as soon as I have my purse. Do not disappoint me, Gaius.”

Lucia gathers the toga from the chair where she had dropped it when she had entered and drapes it over her right shoulder before stepping out into the road. On impulse, she hands the clasp with the three black pearls, which normally held the toga in place, to the old woman who was standing outside the door eavesdropping on her conversation with Gaius. “I have a feeling I would not have any use for it anymore after today. May it bring you luck.” A sense of finality comes over her, akin to the day that her husband had unexpectedly died of a heart attack.

The ash in the air makes her cough and she draws the material over her nose and mouth.

"Look at the mushroom cloud above the mountain. Nothing good will come of this. The god Vulcan was not appeased at the Volcanalia festival held yesterday. Before I depart tomorrow morning, I will bring special offerings to the goddess Opi during the Opiconsivia festival."

"Your gods have nothing to do with this," says Lucia. She stands tall, removing the material from her face. Her tight lips and unwavering stare challenge Gaius.

"_My_ gods?" says Gaius in mock sincerity. "I can assure you, the gods themselves would disagree greatly with you. Just tell Vulcan over there." He gestures to the volcano.

It towers over them, a pillar of smoke leading up to the sky. The ground had rumbled softly even as Gaius had spoken, as if promising a certain doom to all who did not believe.

Lucia’s journey home faced her away from the volcano, but the layer of ash in the air confirmed what she sensed was happening behind her: the volcano was still active and wasn’t slowing its progress. Lucia flicked the reins and urged the mules homeward. She only had one more night in this town filled with strangers and ash and memories. One more night to sleep in the bed she had shared with her husband. One more night to worry about her livelihood growing in the fields around her and again in the cellar under her home. Just one more night.

The night passed fitfully. After debating whether or not to bring the wineskins back into the cellar for protection, Lucia decided to save the extra work and the danger of losing more wine in the hot and sulfur-scented room. She left the bulging wineskins in the cart overnight, covered with the tarpaulin, but woke from a restless sleep every hour or so to check and make sure they remained undisturbed. A few times during the night she saw the sky glowing a fiery red above Vesuvius, the dark cloud of ash silhouetted against the bright sky.

When dawn broke, the ash in the air was thicker than ever. Lucia hurried her cart along the road, barely giving a second glance to her memory-filled home behind her. The urgency she felt at getting away outweighed the pain of leaving the place she had known for so long. Sell the wine, board the ship, and start a new life elsewhere—she repeated this pattern under her breath, almost like a prayer, as the wagon clattered toward the city.

The town was beginning to wake when Lucia reached Gaius’s store. Women passed her on their way to the market, walking quickly despite the early morning heat. The volcano’s activity was putting everyone on edge, including Gaius, who came out to greet her.

“You’re back,” he said.

“Of course I am,” she replied. “This is my last stop before I leave Pompeii for good. I shouldn’t say so, but I’ll take almost any price you give me for this wine. I can’t bring it with me.”

Gaius gave her a thoughtful look. “I’m an honorable man and will give you a fair price. It seems you can't get out of here fast enough, and something tells me that it’s more than just Vesuvius that’s driving you away.”

Lucia adjusted the straps holding the wineskins to the wagon and avoided looking at Gaius. She didn’t want to get into it, not with him, nearly a stranger, and not now, when she was so close to making her escape. Of all the things that tied her to Pompeii, this wine was the last of it.

Gaius offered her his price and she accepted, tucking the bag of coin inside her toga. A young boy, likely Gaius’s son, scampered out of the store at Gaius’s call and started unloading the heavy wineskins from the wagon. Silence settled over the three of them as he worked. Lucia watched the smoke plume from the volcano and Gaius watched Lucia. None of them spoke, although the boy grunted a bit as he lifted the bulging wineskins.

When the boy was finished with his task he went and stood by Gaius. The man rested his hand on the boy’s head and Lucia knew then he was his father. She climbed up onto the wagon and nodded at Gaius and his son. Gaius raised an arm in salute as she cracked the reins and the wagon rolled away, more quickly now without its heavy load.

Lucia clattered down the street, the port in sight down the hill. Her last encumbrance had been disposed of and she was free now—free of her old life, her tearful memories, and the person everyone knew her to be.

Lost in thought, Luica barely noticed when the ground began to rumble, and didn’t snap to until the mules began to buck and whinny. The ground shook and rolled like the ocean. Behind her, the volcano erupted in a fiery, smoky burst. Lucia sat in the wagon transfixed by the sight. All this, and now the place she had been trying so hard to leave would be destroyed.

[*Vesuvinum (combining Vesuvius and the Latin for wine, vinum]